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" When that engagement finally lumbered to a close, Jerry, Galt and I had an adventurous plan.

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The old Astor Library, gutted and under fresh construction, became The New York Shakespeare Festival Public Theater, and the producer chose HAIR to be the premiere presentation in his experimental space, the Anspacher Theater.

(Papp had produced free Shakespeare in Central Park for years, but was now branching out, to embrace the excitement of the avant garde theater movement.) Quite a wonderful opportunity, we thought; if we couldn't get HAIR on-Broadway, at least we could jump-start it downtown in the Joseph Papp spotlight of a New York theater, in the East Village at that, where the play itself was set.

As directed by Gerald Freedman, with choreography by Anna Sokolow, the "Public" proved to be a perfect "out-of-town tryout." A guy from Washington, D. () met in New York City when they were cast together in a new off-Broadway endeavor, HANG DOWN YOUR HEAD AND DIE, a musical revue whose theme was Capital Punishment.

Following the shortest run in show biz (one night), the two young men continued their friendship and soon set out to write their own show, a musical they entitled HAIR.

The two became three when they joined up with a cat from Montreal, Canada () who had settled into the New York area to live and who set their songs to music.

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